Sunday 6 July 2014

Prambanan Temple in Yogjakarta, Central Java

Prambanan Temple 
(1000 Temple / Rara Jonggrang Temple)


Candi Prambanan or Candi Rara Jonggrang is a 9th-century Hindu temple compound in Central JavaIndonesia, dedicated to the Trimurti, the expression of God as the Creator (Brahma), the Preserver (Vishnu) and the Destroyer (Shiva). The temple compound is located approximately 17 kilometres (11 mi) northeast of the city of Yogyakarta on the boundary between Central Java and Yogyakarta provinces.








The temple compound, a UNESCO World Heritage Site, is the largest Hindu temple site in Indonesia, and one of the biggest in Southeast Asia. It is characterized by its tall and pointed architecture, typical of Hindu temple architecture, and by the towering 47-metre-high (154 ft) central building inside a large complex of individual temples. Prambanan attracts many visitors from across the world.


RARA JONGGRANG (LEGEND)


 The Legend of Rara Jonggrang (alternative spellings: Roro JonggrangLoro Jonggrang or Lara Jonggrang) is a Javanesepopular legend (folktales) from Central Java telling the story of love and betrayal, the knight and the cursed princess. It also explains the mythical origin of Ratu Boko palaceSewu temple, and the Durga statue in Prambanan temple compound. The title Rårå(pronounced Roro) is ancient Javanese honorific title to address noble maidens (virgins) or unmarried princesses, thus the nameRara Jonggrang in Javanese means 'Slender Virgin'.

The legend tells the story about two ancient and neighbouring kingdoms in Java, Pengging and Boko.
Pengging was prosperous, and wisely ruled by its king Prabu Damar Moyo who had a son named Bandung Bondowoso. By contrast, Boko was ruled by a cruel man-eating giant named Prabu Boko, supported by another giant Patih Gupolo. Despite his unpleasant nature, Prabu Boko had a beautiful daughter named Rara Jonggrang.
The story relates that Prabu Boko desired to expand his kingdom, and so began training an army and raising taxes for an invasion of Pengging. His forces launch a surprise attack on Pengging, and the ensuring war causes devastation and famine on both sides. In order to defeat the invader, Prabu Damar Moyo sends his son Bandung Bondowoso to fight Prabu Boko. After a furious battle, Prabu Boko is killed by the prince's supernatural powers.
His assistant, the giant Patih Gupolo, leads his armies away from the battlefield in defeat.
Returning to Boko Palace, Patih Gupolo tells princess Rara Jonggrang of the death of her father. The princess is heartbroken, but before she can recover from her grief the Pengging army besieges and captures the palace. Prince Bandung Bondowoso is mesmerized by the beauty of the mourning princess and propose marriage, but his offer is swiftly rejected. Bandung Bondowoso insists on the union, and finally Rara Jonggrang agrees on two impossible conditions: first the prince must build a well named Jalatunda, and second, he must construct a thousand temples in only one night.
The lovestruck prince agrees, and immediately starts work on the well. Using his supernatural powers once again, the prince swiftly finishes construction and proudly displays his work for the princess. As a trick, she urges him to enter the well and when he does so, Patih Gupolo piles stones into it and buries him alive. With great effort Bandung Bondowoso escapes, but his love for the princess is so strong that he forgives her the attempt on his life.
To fulfill the second condition, the prince enters into meditation and conjures up a multitude of demon spirits from the earth. With their help he builds the first 999 temples and starts work on the final one. To thwart his efforts the princess and her maids light a fire in the east and begin pounding rice, a traditional dawn activity. Fooled into thinking the sun is about to rise, the spirits flee back into the earth leaving the last temple unfinished.
The prince is furious when he learns of this deception, and places a curse on Rara Jonggrang which turns her into a stone statue. In this way she herself becomes a feature of the final temple, completing its construction and fulfilling the conditions for their marriage.


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